Turning my Research into a Piece of Moving Image
Having finished my boxset of mini-prints, I realised I had only really used material created by myself, thus didn’t include any of my initial research photography and film. I then thought about whether I could create a piece of film that is a montage of the visuals I collected that I could play out as if it were a manifestation of my memory of the second hand shop- almost drawing on the effect of the earlier tracing paper layered experiments.
Researching for Social Media Posts
One of the main tasks I’ve been set interning at PRICK, has been the responsibility of posting about illustrators who depict plants. I asked Gynelle what she had in mind for the posts, in terms of their content and she just suggested I included 2-3 cacti specific artwork images and a small description about the artist or artwork.
Mini-prints and Boxes
After deciding my typographic experiments weren’t going to work in the form of a publication, despite being contained within the frame of the pages, I began thinking about how such a small shop contained so many objects. This made me think back to the first ever derive in the second hand shop and the souvenirs I picked up that could be used to help me pull the project together as a final piece.
Visit to the Grant Museum of Zoology
After deciding to look at nature as curiosity within the city as a reflection of my obsession, I felt it necessary to look at ways collections are presented to us. Especially specimens of nature. It was thus recommended I visit the Grant Museum of Zoology as a place that is a very good example of displaying such collections.
Nobody Knows: Yoshimoto Nara drawings
Upon looking at presentation of sketchbooks by both Frida Kahlo and Sara Midda, I found myself drawn to the sketches within Nobody Knows: Yoshimoto Nara drawings. It was enjoyable to see that the paper stock used in the book was textured and quite thin, like sugar paper. Thus making the book feel as though it were a sketchbook because the illustrations, although printed, gave off the illusion that they were drawn directly into the book itself.
Sketchbook from Southern France by Sara Midda
After looking at The Diary of Frida Kahlo, I realised I enjoyed the fact the publication itself was made as a replica of her sketchbook so that the reader felt as though they were looking through the physical object itself. Asides from the illustrative use of different media, I really enjoyed the way her sketchbook’s front cover was pictured in the book, almost as if the physical object had been put face down on a scanner.
The Diary of Frida Kahlo: An Intimate Self-Portrait
As I wanted to document my sketchbooks, to show authentic exploration, seeing them as an artefact as oppose to focusing on what the content is about, I decided it would perhaps be helpful to look at other portrayals of sketchbooks in the form of publications to figure out how best to approach documenting my own.
Layers in a publication format
Exploring the idea of thinking about a box metaphorically to complete my final box set of prints, I decided to print out the scanned images of both my distorted type and letterpress experiments to test the possibility of making a publication.
Narrowing Down My Ideas for my D&AD Posters
Despite having decided on three pieces of advice I wanted to use to create my posters, I soon realised I was having great difficulty creating work that experimented with illustration and composition, mostly because the three different ideas had room for individual development. So I decided it would perhaps make more sense for me to pick my favourite of the ideas to develop three posters from. I picked ‘Be and Explorer’ because I think it reflects me most and the way I approach projects creatively.