Experimenting with Handwritten Text
Reviewing my work on the second hand shop, I realised that the small descriptive paragraph I had written might in fact be the context I need to present (with or without my object prints) in order to really express my experience and after finding those old postcards, I started experimenting with my own handwritten memories of my derive in the second hand shop.
Finding Vintage Typography on Location
As I began thinking about the experience I’m trying to communicate of the the second hand shop, it dawned on me to perhaps use the written experiences I made after my derives and maybe play with actually using the text itself rather than focusing on the objects in the direct way I have. Before even beginning to play with any kind of text, I decided to go on a typography hunt within the shop itself and to my surprise, I stumbled across a lot of old type. I was however drawn to the intriguing collection of 100 year old postcards on display in a box for sale.
Reflecting and Refining my Idea
Looking back at my lino prints, despite having come up with a concept of a continuous print that reflects the continuous view of objects within the second hand shop, I felt a disconnection between what I had printed and what the objectives of the brief are- to explore the relationship between location and experience. Thus I decided it appropriate to go back and do another derive at my chosen location.
Drifting Down Brick Lane
Last Tuesday was an introduction to the new studio brief that focuses on the role of the reporter and looks at the inter-relationship between location and experience. In order to to this, exploring geographical locations and recording experiential narrative is necessary as a starting point. Using Debord’s theory of the Derive, I drifted down Brick Lane and began documenting.