Fleshing Out My Composition with Adobe Comp for iPad Pro
Having selected my idea, I scanned selected sketchbook spreads, picking pages that had a likeness in illustrations so that my posters would have some continuity and the narrative across the three would be evident. I then proceeded to mock up my ideas using Adobe Comp on my iPad Pro (see below), so that anything I design that I thought worked well in terms of composition, could be directly sent to InDesign, in order to be set properly with grids, layers, and kerning and tracking.
Drawing Out my Initial Poster Ideas
Before working with images directly from my sketchbook, I scribbled three possible composition ideas as a guide so I didn’t feel like I was just making it up as I was going along and that creating a more developed mock up in Adobe Composition would be less time consuming. The process of doing this was helpful in getting me to visualise how my idea would fit to the final poster format, which isn’t something I had really considered in great detail beforehand.
Working with Imagery from My Own Creative Process
Looking at the ways in which other sketchbooks are presented made me think about how best to present my own creative exploration/ process; in terms of the illustration of different materials in many of the publications I looked at, as well as the inclusion of rough sketchbook notes – which is appealing because they feel authentically created.
Turning my Research into a Piece of Moving Image
Having finished my boxset of mini-prints, I realised I had only really used material created by myself, thus didn’t include any of my initial research photography and film. I then thought about whether I could create a piece of film that is a montage of the visuals I collected that I could play out as if it were a manifestation of my memory of the second hand shop- almost drawing on the effect of the earlier tracing paper layered experiments.
Visit to the Grant Museum of Zoology
After deciding to look at nature as curiosity within the city as a reflection of my obsession, I felt it necessary to look at ways collections are presented to us. Especially specimens of nature. It was thus recommended I visit the Grant Museum of Zoology as a place that is a very good example of displaying such collections.
Nobody Knows: Yoshimoto Nara drawings
Upon looking at presentation of sketchbooks by both Frida Kahlo and Sara Midda, I found myself drawn to the sketches within Nobody Knows: Yoshimoto Nara drawings. It was enjoyable to see that the paper stock used in the book was textured and quite thin, like sugar paper. Thus making the book feel as though it were a sketchbook because the illustrations, although printed, gave off the illusion that they were drawn directly into the book itself.
Sketchbook from Southern France by Sara Midda
After looking at The Diary of Frida Kahlo, I realised I enjoyed the fact the publication itself was made as a replica of her sketchbook so that the reader felt as though they were looking through the physical object itself. Asides from the illustrative use of different media, I really enjoyed the way her sketchbook’s front cover was pictured in the book, almost as if the physical object had been put face down on a scanner.
Reworking my FMP focus
After writing my own brief for my FMP, to reimagine London as a new place, and working observationally based on visits to Kew Gardens and the Barbican Conservatory, I felt like I got myself into a situation where I was pointlessly mark making and the illustrations themselves, even just in my sketchbook weren’t helping me develop my initial thinking. I put this down to the fact I had been exploring nature spaces and drawing that’s somehow made me feel like I’m being slightly closed minded.
Using Letterpress with My Text
Seeing that I had now directed my focus on using the collection of postcards as my point of development and inspiration, I thought to experiment with typography on the other end of the spectrum away from hand rendered type, using more structured type thus using the letterpress facilities was perfectly suited for that particular exploration.
Finding Vintage Typography on Location
As I began thinking about the experience I’m trying to communicate of the the second hand shop, it dawned on me to perhaps use the written experiences I made after my derives and maybe play with actually using the text itself rather than focusing on the objects in the direct way I have. Before even beginning to play with any kind of text, I decided to go on a typography hunt within the shop itself and to my surprise, I stumbled across a lot of old type. I was however drawn to the intriguing collection of 100 year old postcards on display in a box for sale.