Assembling My Posters in InDesign
Once I felt satisfied I knew roughly how I wanted my posters to look, based on the mock up, I began shifting and fixing my composition to a grid in InDesign, making things come together for my final posters, playing with colours and composition, choosing typefaces and sizes.
Drawing Out my Initial Poster Ideas
Before working with images directly from my sketchbook, I scribbled three possible composition ideas as a guide so I didn’t feel like I was just making it up as I was going along and that creating a more developed mock up in Adobe Composition would be less time consuming. The process of doing this was helpful in getting me to visualise how my idea would fit to the final poster format, which isn’t something I had really considered in great detail beforehand.
Nobody Knows: Yoshimoto Nara drawings
Upon looking at presentation of sketchbooks by both Frida Kahlo and Sara Midda, I found myself drawn to the sketches within Nobody Knows: Yoshimoto Nara drawings. It was enjoyable to see that the paper stock used in the book was textured and quite thin, like sugar paper. Thus making the book feel as though it were a sketchbook because the illustrations, although printed, gave off the illusion that they were drawn directly into the book itself.
Sketchbook from Southern France by Sara Midda
After looking at The Diary of Frida Kahlo, I realised I enjoyed the fact the publication itself was made as a replica of her sketchbook so that the reader felt as though they were looking through the physical object itself. Asides from the illustrative use of different media, I really enjoyed the way her sketchbook’s front cover was pictured in the book, almost as if the physical object had been put face down on a scanner.
Using Letterpress with My Text
Seeing that I had now directed my focus on using the collection of postcards as my point of development and inspiration, I thought to experiment with typography on the other end of the spectrum away from hand rendered type, using more structured type thus using the letterpress facilities was perfectly suited for that particular exploration.
Continuation of the Collage Workshop
After the first collage workshop where I collected images that were used directly to create new images, we were given the task within the studio to move on from this to create our own images using textures and paper types, focusing on the the use of shape. Based on a new sentence chosen from our selected Southampton texts, the overall aim of this second part of the workshop was to try and create metaphor and narrative based collages, not working with obvious imagery, but that which suggests what the sentence is communicating
Today was the second of the Hothouse talks, with Paul Jenkins, who spoke rather remarkably about process. I personally find that the process that culminates into the final polished outcome, is the most important part of working on an idea because it is where I learn the most. Whether this be from