Reworking my FMP focus
After writing my own brief for my FMP, to reimagine London as a new place, and working observationally based on visits to Kew Gardens and the Barbican Conservatory, I felt like I got myself into a situation where I was pointlessly mark making and the illustrations themselves, even just in my sketchbook weren’t helping me develop my initial thinking. I put this down to the fact I had been exploring nature spaces and drawing that’s somehow made me feel like I’m being slightly closed minded.
Finding Vintage Typography on Location
As I began thinking about the experience I’m trying to communicate of the the second hand shop, it dawned on me to perhaps use the written experiences I made after my derives and maybe play with actually using the text itself rather than focusing on the objects in the direct way I have. Before even beginning to play with any kind of text, I decided to go on a typography hunt within the shop itself and to my surprise, I stumbled across a lot of old type. I was however drawn to the intriguing collection of 100 year old postcards on display in a box for sale.
Drifting Down Brick Lane
Last Tuesday was an introduction to the new studio brief that focuses on the role of the reporter and looks at the inter-relationship between location and experience. In order to to this, exploring geographical locations and recording experiential narrative is necessary as a starting point. Using Debord’s theory of the Derive, I drifted down Brick Lane and began documenting.